Last night, Kendall Jenner graced the steps of the Metropolitan Museum of Art, adorned in a stunning black and gold gown sourced from Alexander McQueen’s Givenchy 1999 couture collection, radiating the spirit of a 1920s flapper girl. However, as the star-studded ceremony concluded, dinner was enjoyed, and the Costume Institute unveiled its latest exhibition, the supermodel transitioned from her initial attire into not one, but two distinct white minidresses for the after-parties.

The 818 founder initially slipped into an ethereal minidress featuring a sculpted corseted bodice reminiscent of angel wings converging, paired with an asymmetric skirt that flowed gracefully with each step. This creation, hailing from the Givenchy by Alexander McQueen Spring/Summer 1997 collection, was elegantly complemented by simple white sandals. Yet, shortly after donning this artful ensemble, Jenner switched into a playful lace mini designed by Andreas Kronthaler for Vivienne Westwood. This captivating dress boasted intricate floral lace detailing, long sleeves, and a scalloped trim. Underneath, she wore a silky champagne-colored corset with a plunging sweetheart neckline and a snug miniskirt. With the same strappy sandals and a white micro handbag, Jenner completed her look, wearing her hair down in soft waves and accentuating her features with rosy makeup.

During the festivities, Jenner was seen mingling with her ex Bad Bunny while donning the lace ensemble, having arrived at Emily Ratajkowski’s Met Gala after-party with Clase Azul in the financial district. Joining Bunny at his VIP table, the two engaged in lively conversation and laughter throughout the evening, prompting speculation about a potential reconciliation.